Achieve the “Snap” In Your Backhand With This One Simple Cue
- Broden

- Jul 31
- 5 min read
Hearing the disc snap out of the hand might be one of the most satisfying sounds in disc golf.
It’s sharp, clear, and unmistakable.
It turns out, it’s also really hard to replicate, a sound many players believe only elite pros can produce.
But that’s not true.
After playing with a local MPO player and hearing that snap on his very first backhand throw, I was determined to figure out how to get it myself.
What I discovered changed my game and added real distance to my throws.
Why the Snap Matters in Backhand Throws
The snap you hear when a disc rips out of your hand is more than just noise.
It can signal a well executed throw.
One with increased spin, and therefore maximum distance.
When your hand stays “closed” during release, the disc literally rips out of your grip.
This quick release creates more spin, which translates into longer, straighter flights.
The snap sound itself is actually your fingers hitting the palm of your hand, similar to snapping your fingers.
This means the disc is leaving your hand so fast that your fingers close quickly behind it.
If you open your hand and physically release the disc, your fingers won’t snap against your palm because they’re too far away.
This isn’t necessarily bad, but it will result in decreased spin rates.
Many players think this snap requires incredible arm speed or perfect form, but it mostly comes down to how you release the disc, or rather, “don’t” release the disc.
My Breakthrough
The biggest breakthrough for me was a simple mental cue:
“Don’t open your hand when releasing the disc”
Instead of letting the disc slip out as your fingers relax, keep your grip firm and let the disc rip out naturally.
This keeps the disc pressed against your fingers longer, increasing spin rate and therefore distance.
It may sound simple, but before this I never consciously thought about keeping my hand closed during release.
I just focused on reach back, arm speed, follow-through, or any other part of the form I was working on.
But once I started practicing this cue, as well as keeping my hand on top the disc by keeping my wrist curled at reachback, I could feel the difference immediately.
I can’t get the snap sound every throw, and when I do it’s not loud like Eagle McMahon, but it has resulted in more consistent added distance.
Adjusting Your Grip for Better Snap
Along with keeping your hand closed, changing my grip also helped produce the snap.
This may or may not be true for you as well.
I switched from a 4-finger grip, which felt more comfortable, to a 3-finger grip with my pinky tucked under.
It took a few throws, but I find it comfortable now as well, and I saw no decrease in distance when first making the switch.
I also focused on making sure my finger tips were applying pressure to the inside rim or corner (where the bottom plate meets the inside rim) of the disc, and not the bottom plate.
One other point of emphasis in my form has been keeping my wrist curled and down to “pour the tea”, keeping my hand on top of the disc from reach back to the power pocket.
This resulted in a cleaner release, and allowed me to get my first “snap”.
This grip and wrist adjustments combined with the “don’t open your hand” cue helped me get that elusive sound.
How the Snap Improved My Distance
After making these changes, I noticed an immediate increase in my throwing distance.
My putters, which I used to throw consistently around 250 to 275 feet, suddenly started flying 275-300 feet.
That’s a 5 to 10 percent boost just from changing how I release the disc and simple mental cue.
The snap wasn’t as loud or sharp as the pros, but it was there.
And even though I can’t get it on every throw yet, the improvement in spin and distance is undeniable.
Tips to Practice the Snap in Your Next Session
To start mastering the snap, try these steps during your practice:
Focus on keeping your hand closed during release, don’t let the disc slip out early by opening your hand and intentionally releasing the disc
Experiment with different grips, you may not need to, but it helped me
Apply pressure to the rim or corner, not the bottom of the disc
Practice slow, controlled throws to feel the disc ripping out of your hand
Gradually increase speed while maintaining the snap technique
As a side note, if your form is not good in other areas, these changes and cues may still not create that snap sound.
If you round and fail to get into the power pocket well enough, it’s unlikely that the disc will snap out of your hand.
Don’t get discouraged, just keep working on a good reach back/extension, and getting into the power pocket.
Remember, it takes time to develop muscle memory for this release style. Be patient and consistent.
I also noticed that certain discs were easier to achieve that snap sound than others.
The Berg for instance was the first disc I could do it with.
Its deeper rim made the snap easier to achieve because my fingers had to open more as it passed through.
Even though early on I couldn’t replicate the sound with mid ranges and fairway drivers.
Doing so with the Berg provided me with the feel I needed to try and replicate and motivated me to keep trying until I got it.
The better your form, the faster your arm speed, and your ability to keep your hand closed and allow the disc to rip out will determine how loud the actual “snap” is.
Final Thoughts on Unlocking Distance with the Snap
The snap in your backhand throw is a small detail that can make a big difference.
It’s not about arm speed alone or flawless form, as I still have things I need to work on.
But it’s about how you release the disc.
Simply let it rip out of your hand without opening your fingers too soon.
By focusing on this simple cue and adjusting your grip, you can add real distance to your throws.
The snap is within reach for every player willing to practice and pay attention to this small detail.
Try it in your next session.
It may sound simple, but don’t open your hand, let the disc rip, and listen for that satisfying snap.
If nothing else, the added distance will be worth it!
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